'The Morning Guy by Mark W. Gray'

'The Morning Guy, (Gray, 2003) directed, produced and indite by class W. Gray, is a trivial film characterisation the bitter residue of a spousal ceremony in the look of minutes. From a prototypic outside gleam of the matess home, nonhing seems adrift. Their cookie-cuter bungalow, ordinary car and proudly displayed American let up imply a sense of normalcy, though this first slump is quickly be a misconception when the dread morning demoralise measure goes off. From there, the egg-producing(prenominal) character reveals an inability to cope with the conserve characters unique behaviour. The slice relentlessly acts as a morning radio broadcast, combine it into his daily routine. passim the short film, close-ups be utilized not only to acquire greater signification to the objects compositors cased but for the overall message of psychic illness in daily manners as well. This is make through a close up of the apprehension quantify, the toothbrush and the cup coffee.\nIn the sixth scene, a deliver spear captures a realise frame of a hook up with couple and an alarm clock in a close up. To begin, though seemingly mundane, these cardinal objects are requirement to the plot and figure the following narrative. The insure frame introduces two main characters to the auditory modality as a happily married couple. The camera safari chosen to suit this frame is a tilt, filming from unclutter to bottom, therefore implying a joyful low gear and a bleak descent into dysphoria. Furthermore, the tilt ending on the alarm clock is important to line of credit because it foreshadows that the clock, symbolic of the staminate characters behaviour, is the cause of their marriage ending. Secondly, the blowsying Mise-en-scÃne brings the viewers attention to the alarm clock era. A glimmer of light hits the clock to showcase the changing time, from 6:59 AM to 7:00 AM, and thus forcing the viewer to stay this key detail. Thirdly, in relation to the time changing, the close up of the clock allows for a s... '